Matthew is a historian of art and visual cultures whose work focuses on the roles played by internationalists in the creation of national identities in the period 1850-1945, primarily in interactions within the British World but also between the UK and other countries. His research addresses popular myths, stereotypes and historiographical conventions regarding art of the Victorian period and early twentieth century \u2013 for example Modernist parameters that have previously confined potential discourses in this field \u2013 and draws upon new interdisciplinary approaches, incorporating philosophical, literary and material art histories to revise historical understanding.<\/p>\n\n\n\n
Other areas to which his research connects are the history of art education, historical painting and the history of public art collections.<\/p>\n\n\n\n
After completing an undergraduate degree in Modern History, Matthew studied the History of Art at a postgraduate level. Between 2004 and 2011 he taught at Oxford Brookes, Plymouth, and Leicester Universities, before joining Northumbria University in October 2011.<\/p>\n\n\n\n
Publications<\/strong><\/p>\n\n\n\n Matthew C. Potter, \u2018British Art and Empire: Holman Hunt\u2019s The Light of the World reflected in the mirror of the colonial press\u2019, Media History, 13:1 (April 2007), pp. 1-23;<\/p>\n\n\n\n Matthew C. Potter, \u2018Orientalism and its Visual Regimes: Lovis Corinth and Imperialism in the Art of the Kaiserreich\u2019, in Jane Kromm and Susan Benforado Bakewell, eds., A History of Visual Culture: Western Civilization from the 18th to the 21st Century (New York: Berg, 2009), pp. 243-254<\/p>\n\n\n\n Matthew C. Potter, The Inspirational Genius of Germany: British Art and Germanism, 1850-1939 (Manchester: Manchester University Press, 2012);<\/p>\n\n\n\n Matthew C. Potter, ed., The concept of the \u2018Master\u2019 in art education in Britain and Ireland, 1770 to the present (Farnham: Ashgate, 2013);<\/p>\n\n\n\n Matthew C. Potter, \u2018Fostering in the people the purest types of beauty: Ford Madox Brown and democratic art education\u2019, Visual Culture in Britain, 15:3 (Taylor and Francis: [November], 2014), pp. 313-333;<\/p>\n\n\n\n Matthew C. Potter, \u2018Breaking the shell of the Humanist egg: Kenneth Clark\u2019s University of London Lectures on German Art Historians\u2019, in Journal of Art Historiography, 11 (December 2014), pp. 1-34 [access here<\/a>].<\/p>\n\n\n\n Matthew C. Potter, British Art for Australia: The acquisition of artworks from the United Kingdom by Australian national galleries, 1860-1953 (London and NY: Routledge, 2019);<\/p>\n\n\n\n Matthew C. Potter, \u2018\u201cBold Liberals Who Fought for the Cause of Freedom\u201d: The German Reception of the Graphic Satires of James Gillray and Thomas Rowlandson at the Fin De Si\u00e8cle (1895\u20131908)\u2019, Visual Culture in Britain, 20.2 (July 2019), pp. 172-193 [access here<\/a>].<\/p>\n","protected":false},"excerpt":{"rendered":" Matthew is a historian of art and visual cultures whose work focuses on the roles played by internationalists in the creation of national identities in the period 1850-1945, primarily in interactions within the British World but also between the UK and other countries. His research addresses popular myths, stereotypes and historiographical conventions regarding art of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=\/wp\/v2\/pages\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48"}],"version-history":[{"count":0,"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=\/wp\/v2\/pages\/48\/revisions"}],"wp:attachment":[{"href":"https:\/\/research.northumbria.ac.uk\/visualmaterialcultures\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}